MEMORIAL DAY

-PL

Cameron Cemetery, Salem/Benton (AR)

 

 

 

teaching the lad

about Decoration Day

son spies a turtle

~~

PL, idea from Jay Grelan's column, 5. 26. '05]

 

butterfly alights

on the open haiku book~

Memorial Day

~~

[PL, 5. 28. '01, actual]

 

decorating the graves

that no one's left to visit

gold and crimson leaves

~~

[Dorothy McLaughlin, Somerset, NJ, published in CONNECTING OUR HOUSES, a flip calendar]

 

Memorial Day

her arms full of flags to place

near the headstones

~~

[PL, from a picture, Arkansas Democrat-Gazette, published in '03]

 

motor home gone

likely through

Memorial Day

~~

[Dion O'Donnol, from day to day, '02]

 

Decoration Day

waiting motor cars out purr

the sounds of summer

~~

[Dion O'Donnol, from day breaks, '00]



IN MEMORIAM: JEANIE CARTER, HOT SPRINGS (AR) POET, FRIEND

 

 

THE AMBULANCE -

by Jeanie Carter, from Spendrift, 1977

Wheels spin in dust,
dust whirls in wind,
wind twists his hair,

as Tony follows
the fading siren,
warm familiar dust
squishing between his toes,
then rising to rim
the legs of his jeans.

The sun stripes gold
down his straight brown hair
and waves a long, thin
shadow-boy before him.

His father is at home, alone,
standing on the porch,
staring down the road.
His mother is in the wailing
whirlwind of dust
speeding down the road.

Tony spins, whirls, and twists,
playing the game of losing
the shadow-boy in the dust.

He does not yet know
he knows
his mother will not be back
to mend his clothes,
wash his ears,
and hold him close.

This poem of Jeanie's was published in 1977 when she was 46 years old. Just think of all the ensuing years she had to continue writing.

            At the end of the Garland County Community College literary journal where these poems appear are thoughts by each contributor. Jeanie’s was: “Creativity is often joyous, often painful, but I keep trying.”

            Her life, like her creativity, was often joyous, and in later years, often painful. Now, Jeanie Dolan Carter rests from her efforts. God bless her soul.

--PL

SPRING IN EUREKA SPRINGS

 

 

 

A  nyone from anywhere who’s

P articipated in a Writers’

R etreat even once will

I mmediately remember the

L uxurious landscapes,

 

I mmense gingerbread houses,

N arrow streets holding shops

 

T hat tempt us into buying,

H ealthy (or not) eateries––all

E nlivening the main reason for

 

O ur being in the O-

Z-A-R-K-S in the first place:

A chance to improve our art,

R aise our level of skill, and

K nuckle down to revise,

S o that next year, we’ll be better.


[Published in Lucidity Ozarks Poetry Retreat, 2012]

 

At the Hemingway-Pfeiffer Museum

PL, Ozarks in the fall

 

         

Hasten, hasten all

writers –you who’re interested

in ‘one true sentence.’

 

Come to the old barn

where E. H. once wrote

parts of A Farewell . . . .

 

Surrounded by ghosts,

his typewriter, leopard-skin

rugs, whispers of lust,

 

we focus efforts

hoping to channel Papa:

whittle words to nubs,

 

to gist and gut--tight.

Here, imaginations flit,

soar, break boundaries

 

found at home, office.

As if drunk, we do battle,

fill page upon page,

 

exult in fatigue.

A Story. Begun. Finished.

Let’s drink to Papa! Hear, hear!

~~ 

 

[PL, critiqued, Lucidity workshop, 4.23.'14, with no suggestions for improvement. Thanks to PRA state critic, Todd Sukany, for encouraging me to work on the original, published in an earlier H-P anthology. The result was this poem.]

telephone pole fence at Couchwood - PL

 

I'M WITH THE NEIGHBOR

 

I'm on the neighbor's side in "Mending Wall."

He needs to show the bound'ries of his place

to let the other know how soon a pall

can fall when acreage lines are breached. A case

 

in point--from my perspective: privet grew

on my place undeterred. The neighbor pled

with me to let her cut the brush. I knew

that Queen Ann's Lace live there and shook my head.

 

Her partner didn't get the word and cleared

my hedge and vegetation fence. Was I

enraged! I promptly stomped net door and leered.

I yelled, "That barrier of hedge was my

 

attempt to stop encroachments. From now on ..."

But back to Frost. The older neighbor stacked

his rocks and listened, unimpressed. A yawn

perhaps, a step, then his reply, which lacked

 

a change of heart. "Good fences make good neigh ..."

Our poet shows the man still strong enough

to lift two stones at once. Unswayed, we'd say,

by logic of the orchard man, he rubbed

 

rough, calloused hands together, knowing well

his father's reasons for a wall. His plan:

no change. Not now. Not ever. He can't tell

the man to keep his distance. Fences can.

~~

[PL, Honorable Mention, Lucidity Retreat, 2012,

published in April in the Ozarks, 2012]



A SECRET

As I slipped through the pantry door,
you stood before
me, face to face:
a quick embrace,
a smile. You whispered, "Patience now;
someday, somehow. . . ."
Despite the risk,
we dared to kiss.
Then, passing to the drawing room,
I left the bloom
of love behind
for none to find.
~~
PL, from delicious fatigue, 1992

Three poems on quilting

[from Google images] 

 

 

 

THREE POEMS ON QUILTING

      ---from Macheski's "Quilt Stories"

 

I. The Quilting Party ( a Minute form)

 

Deaf Hephzibah sits down to quilt,

   her head atilt,

   and tries to hear

   with her good ear.

Young Phoebe says, I'll piece some blocks..."

   "You'll twist your locks?"

"...the lover's chain."

    "...an awful pain."

"So how's your husband this hot day?"

   "I know I'm gray."

"John's sawing wood?"

 "I'm feeling good."

~~

 

II. Memories (a Cameo)

 

Vivid

scraps of calico,

remnants of bright copper cushions

from Mother's

easy chair; dancing-school ginghams,

the rich silk I bought myself--

quilting.

~~

 

III. He CAN quilt! ( a Pensee)

 

Brother--

mischievous--begged

allowance to try quilting.

(White thread on dark cloth--easier

to rip out)... His good stitching stays!

~~

 

[PL, published in Old-Millpond Anthology, 2004]